Just Two Days More!

To see this exhibition on Emperor Maximilian  – his armor and his art – at the Metropolitan Museum:

The Last Knight: The Art, Armor, and Ambition of Maximilian I 

We recently have resumed our series of posts  covering the deeds and relics of the Holy Roman Empire of the German Nation.  Emperor Maximilian I was one of its most extraordinary leaders. Warrior, patron of the arts, far-seeing politician yet upholder of chivalric virtues,  he personified the somewhat fantastic character of the Holy Roman Empire in its last few centuries. Yet Maximilian was was able to accomplish great political achievements – not for himself, but for his descendants. He rescued the Burgundian-Netherlandish state from annihilation by France. He saw his grandson, Charles ascend the thrones of Spain, Burgundy-Netherlands and the Holy Roman Empire – becoming the mightiest European monarch in centuries. He laid the foundations for the union of the Bohemian and Hungarian crowns with the ancestral Habsburg domains, the essence of the future Austrian empire.  Yet he himself often wandered about,  bereft of resources and on the brink of bankruptcy.

In his age he was one of the greatest patrons of the craft of the armorer  and of German art.  A champion of knighthood, he was deeply involved in the development of artillery and infantry. He utilized the new printed media to promote his persona – including the monumental assembly of woodcuts known as the Triumphal Arch. He was a great collector of medieval German literature.

(above) Gauntlets of Maxmilian I

Plate armor was tailor-made for wealthier clients. (Above) Parade armor, commissioned by Maximilian for Charles V as an adolescent. (Below) Armor,  intended for combat use, made for Maximilian I as a young man.

Finally, of course, like every emperor pf the Holy Roman Empire, Maximilian was a religious figure.  We find images of saints and of the Virgin  on various armors in this exhibition. The last work commissioned by him is his own portrait on his deathbed.  Graphically realistic, stripped of all the accoutrements of grandeur, it is a gripping acknowledgment that we shall all return to dust.

The fantastic “Triumphal Arch,”  covering an entire wall and assembled out of prints by many of the leading German artists of  Maximilian’s  day.