Sacred Heart Cultural Center in Augusta, Georgia, was the Jesuit church of the Sacred Heart, built between 1898 and !900. It formerly was a center of Catholic faith, life and education in what was once a not-very-Catholic part of the United States. The church was closed and abandoned in 1971. For years the buildings lay vacant and were repeatedly vandalized. In 1987 the buildings were purchased and reopened as the Sacred Heart Cultural Center. Over the years, great efforts have been made to restore the bulding and windows. It now functions as a cultural center and as an “event venue,” especially for weddings.
(Above and Below) Sacred Heart. The very elaborate exterior brickwork reminds me of a somewhat earlier (1880’s) church in New York City, Sacred Heart of Jesus, in Hell’s Kitchen.
The church – now the “Great Hall” – is grandly dimensioned. It has been nicely restored and painted , except for the communion rail, visible in old photographs – but that may have already disappeared before 1971.
The pulpit with its sounding board or tester. The original pulpit in St. Patrick’s Cathedral, New York, had a similar feature.
The Center is particularly proud of the stained glass windows, most of which were creations of the firm of Mayer, Munich. The windows were installed at the time of the building of the church or shortly thereafter. Mayer provided windows to inumerable Catholic churches in the United States especially from the 1890’s to World War I. Indeed, Mosy Holy Trinity, the (still functioning) Catholic parish in downtown Augusta, also has a set of Mayer windows which it is currently restoring. The design of the windows of Sacred Heart closely resembles that of certain windows that can be found in, for example, Holy Innocents parish (installed twenty-five years or more after completion of the church), or Holy Name of Jesus parish (both New York City). The artists of the Mayer windows, however, while often relying on a common repertoire of designs or patterns, seem to have taken care to vary the details for each commission.
When the Jesuits left Sacred Heart in 1971 all this was left behind – good riddance, they undoubtedly thought. Nowadays, as church after church is closed in New York City and elsewhere, the windows, altars, stations of the cross, etc. are usually salvaged for disposition to other churches seeking to upgrade their modernistic buildings. The parish of St. Theresa, not too far from Augusta, is a very good example of this recycling.
In the former baptistery a small museum of Catholicism has been set up. It explains to visitors what once was done within these walls. Similar Catholic museums exist in Victoria, British Columbia and in Zurich. The materials published by the Sacred Heart Center that I have seen do treat the practices of those who used to worship here with respect.
(Above) This is a sanctuary lamp. (Below) The final sign for Sacred Heart Church. Note it is “post-conciliar” ( A Vigil Mass on Saturday is scheduled).
We applaud the Sacred Heart Center for the care and respect they have shown to this church, abandoned by its original spiritual leaders and congregation. It’s impressive to encounter this degree of appreciation for these old Catholic churches, which are still scorned by the clergy, at least in the Northeast. Yet we weep to see the art of the Catholic faith turned from its purpose and treated as a relic of some distant past. In this respect, the secular management of this Center is completely aligned with, for example, the New York Archdiocese, which has often described its architectural heritage as “museums.” Finally, we firmly hope that a recovering Traditionalism, made stronger through persecution, will continue as part of its mission the revitalizaion of the splended Catholic churches of the past. For after all, as Proust wrote of the French cathedrals, these grand old buildings were created for one purpose: the celebration of the Traditional Mass.
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