The “Italian Cathedral” – thus does the church of St Lucy in Newark, New Jersey, assert its claim to preeminence among Italian churches of the New York area. And with some justification! St Lucy’s may not quite attain the size and splendor of the “Polish cathedrals” of Chicago and elsewhere in the Midwest. Yet its architecture is impressive – unconstrained by the narrow lots of New York. And, in my view, its decoration exceeds in its extravagance and quality that of its Italian competitors – most notably, Our Lady of Pompeii in Greenwich Village, built and decorated about the same time. We had a chance to visit St. Lucy’s today on the weekend of the celebration of the festa of St. Gerard Majella – whose national shrine is found here.
(Above)The sober exterior of St Lucy’s, executed in a kind of Romanesque – Renaissance idiom. Construction started in 1925. The church presides today over a combination of plaza, parking lot and outdoor shrine offering the opportunity for all kinds of devotions. (Below) Peering over St Lucy’s parish complex are the towers of Newark’s grand Sacred Heart Cathedral (presumably the “Irish” Cathedral).
But it is the architecture and decoration of the interior that is the glory of this church. For here the local Italian community was able to achieve an amazing recreation of the 18th century Southern Italian Baroque. The parish is dedicated to St Lucy of Syracuse; the paintings and inscriptions emphasize strongly this Sicilian connection. But in fact people from many other Southern Italian villges, towns and regions participated in the life of this parish and in the construction of the church. (Below) The high altar.
The real heart of this decorative program, however, are the murals of Gonippo Raggi (1875-1959) who worked on the decoration of many other important Catholic churches – especially in New Jersey. Above all the paintings of the cupola and of the huge ceiling of the nave recall to the visitor not only Italy but, in their wild exuberance, even the visionary ceiling paintings of the German baroque.
(Above) The cupola.(Below) The apse mural, complete with the Syracuse cathedral on the left and Mount Etna on the right.
(Above) Detail of the apse.
(Above and below) Details of the martyrdom of St Lucy on the celing of the nave.
(Below) From the same mural.
Today, perhaps, St Lucy’s is best known as the shrine of St Gerard Majella. In contrast to the deserted shrines of most Manhattan churches, devotion to St Gerard is very much alive and well. I hear many come from all over the country to participate in the festa. This year was, obviously and unfortunately, a great exception.
St. Gerard Majella is most often invoked as an intercessor for a safe childbirth. At one time St Lucy’s had 20,000 parishioners, and in one year there were over 1,000 baptisms. So his assistance was very much in demand!
The statue of St. Gerard is adorned by the faithful not merely with strips with dollar bills attached – that happens in every other Italian church festival – but with whole coats covered with greenbacks. At least on this weekend, the stream of visitors never let up. The quantity of (real) candles to be found everywhere in the church is amazing. A notice is provided, however, that candles will be extinguished in the evening but relit in the morning.
(Below) The miraculous safe delivery of a child, depicted here, started the devotion to St. Gerard as a patron saint of expectant mothers.
After the murals, what catches the vistor’s attention are the innumerable, mostly large-scale statues around the church. It seems like every saint and every Marian devotion of Southern Italy is represented here. And the Hispanic peoples subsequently have added their own devotional images to this collection.
St Lucy’s is still kept in beautiful condition. Almost all the Italian population of what once was Newark’s “Little Italy, ” however, had left the immediate neighborhood long ago. The final straw was a series of disastrous urban renewal projects, which had the same results here as everywhere else – Chicago, St Louis, Bridgeport etc.. Most of the old Catholic ethnic neighborhoods of these cities, like those of Newark, were destroyed long ago . But St Lucy’s old parishioners and their descendants have been more dedicated than most in maintaining their old parish, its devotions and its church.
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