
On February 1 a remarkable concert took place at St. Mary’s church in Norwalk CT. Performers from the Juilliard school presented 17th century music: first of Italy, then of Bohemia (at the time part of the Holy Roman Empire). Charles Weaver, the music director at St. Mary’s and a teacher at the Juilliard, led the concert and performed on the theorbo and guitar. The other performers were mainly his students:
Marisa Karchin and Elizabeth Weaver, sopranos
Lydia Becker and Ryan Cheng, baroque violins
Nathan Francisco, baroque cello
Amanda Beranek, triple harp
Highlight of the evening was a performance of the Loutna Česká (the Czech Lute) composed in 1653 by Adam Michna. It is an early song cycle of religious poetry – MIchna both wrote the text and composed the music. Only recently have all parts of the score been rediscovered. This is the second performance of the work in its restored form in the United States. It was performed in the Czech language.
Loutna Česká is an extraodinary work of baroque poetry, audacious in its bold images. The text was matched by the complexity of the music. Now Adam Michna was Catholic, and worked with the Jesuits in restoring Catholicism in Bohemia, Let us remember that in 1648, five years before the Loutna Česká appeared, the horrific Thirty Years’ War had ended. It had begun and ended in Bohemia, devastating much of the country. Prague was the capital of lands of the Bohemian crown (which included more than just Bohemia) and functioned as a kind of subordinate capital of the Habsburg domains, most of which were in turn a part of the Holy Roman Empire. Thanks to the efforts of Michna and others, the glorious age of the Bohemian Baroque -in art, architecture and music – began in those years of recovery from the trials of war. We can see its world-famous legacy even today in Prague and elsewhere in Czechia.
































