Cantantes in Cordibus is the schola for the Traditional Mass at Our Lady of Sorrows in Jersey City. Please support this fine choir.

Last night a concert of the music of William Byrd took place in the splendid, resonant and historic setting of Most Holy Redeemer Church, East 3rd Street, New York. A good-sized audience heard a superb performance of Bryd’s music, both sacred and secular. The church was an ideal acoustical environment for this kind of smaller scale, somewhat melancholy music. The warmly applauded performers were Charles Weaver, Elizabeth Weaver, Terence B. Fay and Grant Herreid.

Do I need to point out that Charles Weaver is the Music Director at St. Mary’s, Norwalk, where Elizabeth Weaver and Terence Fay sing with him each Sunday at the Solemn Traditional liturgy? Throughout the evening Charles Weaver interspersed historic commentary which highlighted Byrd’s deep ties with the Catholic recusants (Byrd was one of their number). Indeed, he had a specfic connection with the manor of the Paston Family in Norfolk where some of the music heard last night would have been performed. Edward Paston was, moreover, not just a patron but an artistic collaborator of Byrd; a poem written by Paston in honor of the Catholic Queen Mary and set by Byrd was performed last night. For it is an amazing fact that in their clandestine celebration of the prohibited Mass the Catholic recusants of Elizabethen England often created magnificent music and art. As Julian Kwasniewski points out in an essay distributed last night with the program:

Although I have spoken primarily of his life as a musician, Byrd’s life as a recusant Catholic should serve as inspiration for Catholics today, who face varying degrees of persecution not only from secular governments, but from within the Church’s hierarchy itself. Figures like Byrd remind us that the creation of great art is possible even in times of adversity. 1)

Since 2011 we at St. Hugh of Cluny have often covered events at the grand Church of Most Holy Redeemer, formerly Redemptorist, formerly German. Indeed, this Society has sponsored some of them. Today a young priest of the archdiocese leads this parish in the midst of what some might consider one of the city’s more inhospitable surroundings – half party land, half “underprivileged” neighborhood. Yet, under Fr. Sean Connolly, the church looks better than ever before and the parish is sponsoring an ambitious program of musical performances. 2)

(Above and Below) Most Holy Redeemer is an endless source of insights into the Catholic devotional life of the past ( and, as is the intention of this parish’s current management, of the future as well). Since 1914 the lavishly decorated shrine of Our Lady of Perpetual Help is supposed to be the center of this devotion in New York City. 3)

(Above and below) The chapel-shrine of the relics includes those of St. Datian, a romam Martyr, enclosed in a wax image. His relics were brought to New York in the 1890’s amid great rejoicing.

(Above) Catholic devotions of an “earlier age” – that of the poor souls in purgatory. (Below) This modern, somewhat expressionless statue used to adorn (protected by a cage) the facade of the nearby Nativity parish, victim of a recent Archdiocesan downsizing. Most Holy Redeemer parish is now “Most Holy Redeemer-Nativity.” 4)

1. Kwasniewski, Julian, “Not a tame Byrd: Remembering a great recusant composer,” Catholic World Report (7/2/2023)
2. See, e.g., “Solemn Mass of St. Nicholas at Most Holy Redeemer Church,” (12/6/2019); “The Churches of New York IX: Vierzehnheiligen on the East River,” (3/27/2011) both on the Society of St. Hugh of Cluny.
3. “Chapel of Our Mother of Perpetual Help,” East Village Catholic (Accessed 9/17/2023)
4. “The Churches of New York XII: Lady in a Cage,” Society of St. Hugh of Cluny (7/14/2011)

A full congregation at Old St. Patrick’s Cathedral in New York, was treated to a beautiful Solemn Vespers with Seven Copes for the Feast of the Exaltation of the Holy Cross on Thursday evening. (Nearby, the San Gennaro Festival was in full swing.) Very Reverend Enrique Salvo was the celebrant, assisted by six priests. Assisting in choir was the Most Rev. Pierre-André Dumas, Bishop of Anse-à-Veau and Miragoâne, numerous clergy and members of the Order of Malta and the Order of the Holy Sepulchre of Jerusalem. The Basilica Schola Cantorum and Chamber Orchestra, under the direction of Jared Lamenzo, performed the sumptious Solemn Vespers K 339 of Mozart and other pieces by Mozart, Bellini and Cherubini. Our Society was a sponsor of this ceremony.

A New Jersey priest and commentator writes:

A pall hung over the gathering of the leadership of 14 religious orders of Charity Sisters in Halifax, Nova Scotia, last month. Among them were the New York Charities who, in April, decided to eventually dissolve their community and will no longer accept new members as they are on a “path to completion.”

Sister Maureen Shaughnessy, the General Superior of the separate New Jersey Charities who was at that meeting, told me: “We’ll be facing the same decision in the next 10 years.” She had served as the head of the order from 2003 to 2011 when there were about 500 sisters in the community. Yesterday, she started her second four-year term after finishing one that began in 2019. Today there are 164 N.J. Charities with the average age of 83. 1)

I have previously covered the decision of the New York Sisters of Charity to, in effect, go into liquidation. 2) The New Jersey “Charities,” as the article quoted above calls them, find themselves in a similar situation. As the joint letter of the two institutions reproduced below indicates, their latest response to the crisis seems to be exploring some kind of combined operations:

In business, a combination of two failing companies usually ends up saving neither of them. But the main problems this letter reveals are not so much faulty tactics of the moment, but fundamental weaknesses. In the joint statement, I note no reference to God or Christ. The sisters, however, do commit to “live into” Pope Francis’ “vision” in Laudato Si’. The issues the sisters identify as critical are entirely secular: climate change, homelessness and immigration. Proposed actions include reducing “our carbon footprint with a focus on our food print,” creating committees and task forces. I cannot imagine that any woman interested in religious life would be attracted to such an organization with these goals couched in this kind of language.

Indeed, in the entire Summer 2023 issue of New Dimensions (the sisters’ publication from which the above letter is taken) only a handful of clearly, specifically Catholic passages stand out. Such as where the founder of the Sisters of Charity of St. Elizabeth is quoted as stating in 1859 that “the principal end (for) which God has called and assembled the Sisters of Charity is to honor Jesus Christ, Our Lord, the source and model of all charity, by rendering him every temporal and spiritual service in their power in the persons of the poor… .” 4) Or where a half dozen young, apparently Vietnamese and African sisters from a variety of orders ( but no Sisters of Charity), while visiting the Blessed Miriam Teresa’s “crypt.” speak of their faith and their appreciation of her life and writings. Blessed Miriam Teresa Demjanovich, a Sister of Charity, died in 1927. 5)

I should add that this situation is entirely endorsed by Church authority. Neither the Vatican nor the local bishops, as far as I am aware, have decreed an apostolic visitation or even discussed reforms or sanctions regardless of the status and conduct of these declining religious institutions. Indeed, the opposite is true: in 2015 a Vatican investigation of the LCWR (to which both groups of Sisters of Charity discussed here belong), was terminated (with the direct participation of Pope Francis) with practically no action taken.

1. Santora, Rev. Alexander, “What’s next for Sisters of Charity as members age”?, NJ.com( 7/2/2023). In the 1960’s there were up to 2,000 sisters.
2. “On a ‘Path of Completion’: The Sisters of Charity of New York,” The Society of St. Hugh of Cluny (5/1/2023)
3. New Dimensions, Summer 2023 at 4 (A publication of the Sisters of Charity of Saint Elizabeth).
4. Id. at 14
5. id. at 16

NORWALK, CONN.—St. Mary’s Church and the St. Cecilia Society are pleased to announce a free concert-
meditation by the Harpa Dei Choir on Tuesday, October 10, 2023 at 7:00 p.m. at St. Mary’s Church, 669 West
Avenue in Norwalk, Connecticut.
Harpa Dei has a peaceful and reflective musical style like no other: their beautiful sound is achieved only by the
unaccompanied voices of four siblings. Nikolai, Lucia, Marie-Elisée and Mirjana Gerstner were born in
Germany and grew up in Ecuador. All four have as their spiritual foundation the long formation they have
received in a religious community of Catholics.
Since 2011, as part of a peace initiative, the siblings have been called to evangelization through Sacred Music.

Harpa Dei tries to collect the most beautiful songs from different traditions, in order to glorify God, and to
transmit to people the beauty of the Lord, which shines so eminently in Sacred Music. Their mission has taken
them to many countries in the world, including Mexico, Israel, Germany, Russia, Ecuador, Lithuania, the
United States, and more, as well as to their beloved channel on YouTube (youtube.com/@HarpaDeiMusic).
Harpa Dei hopes to be able to contribute to recovering and creating sensitivity towards the musical tradition of
the universal Church, which, in the words of Vatican Council II, “constitutes a treasure of inestimable value,
which stands out among other artistic expressions.” (Sacrosanctum Concilium).
The concert program will include songs from the most diverse Christiantraditions: Armenian, Greek, Coptic,
African, Indian, Russian, Georgian, among many others. Do not miss this opportunity to experience the
haunting beauty and spiritual depth of the Harpa Dei Choir in person!