6

May

Pilgrimage of Hostage Relics at the Cloisters

Posted by  
Published in Events | no comment

5

May

Requiem Mass for Msgr. Ignacio Barreiro at Holy Family Church

Posted by  
The congregation that Saturday afternoon was relaively small – but included many people who had known and worked with Msgr Barreiro for decades.

A sung Requiem Mass was celebrated for the repose of the soul of Msgr. Ignacio Barreiro at Holy Family Church, New York on Saturday, May 4 – the second anniversary of his death. 
Fr. Richard Cipolla was the celebrant, the pastor of Holy Family, Fr. Gerald Murray, was the homilist. Charles Weaver directed the choir.

Spectacular vestments from the early part of the 20th century were made available for this liturgy. Regrettably, due to a last minute cancellation, a Solemn liturgy using the complete set could not be celebrated.
Fr Murray, the homilist, did not merely present his reminiscences of Ignacio Barreiro – with whom he studied at Dunwoodie. He set forth, drawing on the writings of of Reginald Garrigou-Lagrange, how Msgr Barreiro had led an exemplary life as a priest.
Charles Weaver led the schola, presenting plainchant and works by Victoria and Morales. Whatever else you may think of this church’s architecture, the acoustics are excellent!
(Above and below) I still find it hard to believe the miracle that the Traditional Mass has returned to this church – one of the very first examples of would-be modernism in New York! (Note the early substitution of an image of the “Risen Christ” for the Crucifix- a practice that became almost universal in the 1960’s)
(Above and below) Holy Family church is a weird combination of the “moderne” and the traditional: a space-age tabernacle that would delight George Jetson, displaced from the altar to a corner of the church – but surrounded by Latin inscriptions and surmounted by a Byzantine-style image of “Our Lady of Peace.” Generally in beautiful condition and relatively untouched by subsequent renovations, Holy Family perfectly illustrates the confusion of ideas prevalent in the Catholic Church of 1964-65.
Published in Masses, The Churches of New York | 1 comment

3

May

Raising Chivalrous Men

Posted by  
Published in Events | no comment

3

May

Mass of Our Lady of Prompt Succor in Queens

Posted by  
Published in Masses | no comment

30

Apr

Art of the Italian Churches

Posted by  
The image above the high altar of the (former) Italian Catholic church of Our lady of Peace, by Donatus Buongiorno

It was an amazing achievement, we can say in retrospect – the construction and decoration of so many splendid Catholic churches between 1830 and 1940 throughout New York City and its surroundings. Italian churches occupy a special place here. Relative latecomers to the church building movement , the Italian immigrants succeeded in crafting a series of extravagantly colorful confections overflowing with paintings and statues. Just in Manhattan we have Our Lady of Pompeii, Our Lady of Peace (recently taken away from its congregation and transferred to the Copts), Our Lady of Mount Carmel and Most Precious Blood. in these works the overall effect takes precedence over the quality of the individual works of art. But who were the artists who worked on these churches – a fast disappearing part of our Catholic inheritance?

Donatus Buongiorno was one such artist whose work forms a major component of the decorative scheme of two of these New York City churches. Currently there is an exhibition of his works at the rectory Gallery of Old St. Patrick’s Cathedral, 263 Mulberry Street, New York. In his secular paintings Buongiorno seems to have specialized in genre scenes typical of that era: peasants, mothers, children etc. But you will have to wander further down Mulberry street to Most Precious Blood church to see Buongiorno’s murals on the life of Christ and Franciscan Saints.

(Above) From the (formerly Franciscan)Most Precious Blood church in “Little Italy.”
(Above) The somewhat unusual theme of the Woman taken in Adultery (Most Precious Blood Church)

Our thanks to Janice Carapellucci, the curator of the exhibition, who has worked so hard over the years to preserve the memory and works of Donatus Buongiorno. The exhibition lasts until May 11. The following events are scheduled:

 Thurs, May 2, 6-8 pm: Olga Nikolic-Litwin—Why Paintings Need Conservators

Paintings often migrate far from where they were created and are damaged along the way. Nikolic-Litwin, conservator of paintings and icons, will show some common changes on paintings and techniques for restoring, and will share how she collaborates closely with clients to create treatment plans for their artwork.


Saturday, May 4, 3-4 pm; Wednesday, May 8, 6-7 pm: Daniella Day—Docent Talk in the Gallery About the Paintings, the Artist, and His Context

Enjoy a docent-led exploration of the exhibit and related subjects with long-time Little Italy resident Daniella Day, contemporary artist and museum educator at several New York institutions. Inspired by her own ancestors who emigrated to Little Italy from Avellino and Calabria at the turn of the 20th century, Daniella’s background in fine arts, art history, and restoration, combined with her skill at storytelling with an Italian American flair, provide an intimate and engaging experience of the exhibition in relationship to the neighborhood.

Asite devoted to the artist is HERE. For more on the Exhibit see HERE.


Published in Events, The Churches of New York | no comment

26

Apr

Graduate Study in Sacred Music This Summer at Dunwoodie

Posted by  

Graduate-level study structured for busy schedules 

Hybrid (on-line and in-person) and 4- or 5-day courses available

Deepen your understanding of the Catholic faith through systematic study. Prepare for service to the Church in a faithful, joyful, and prayerful environment.
St. Joseph’s Seminary in Yonkers, New York will offer 4 graduate-level courses in sacred music during the summer 2019 session.

  • Principles of Sacred Music
  • Principles of Chant
  • Teaching Gregorian Chant to Children
  • Introduction to the Organ for Pianists

Courses are taught by Dr. Jennifer Donelson, associate professor and the director of sacred music at St. Joseph’s Seminary (Dunwoodie). Dr. Donelson is an internationally-recognized expert in Gregorian chant and Catholic sacred music. She is the President of the Society for Catholic Liturgy, serves on the board of the Church Music Association of America (CMAA), is the managing editor of the CMAA’s journal Sacred Music. She currently conducts the Schola Cantorum of St. Joseph’s Seminary, the Metropolitan Catholic Chorale, and teaches children using the Ward Method in Pelham, NY.

For more information, download the brochure: link

Published in Uncategorized | no comment

24

Apr

Requiem Mass for Msgr. Ignacio Barreiro

Posted by  
Msgr. Ignacio Barreiro Carámbula
Born 22 October 1947, Montevideo
Ordained 14 November 1987, New York
Died 13 April 2017, Hawthorne

On Saturday, May 4, 2019 at 2:00 PM, the Society of St Hugh of Cluny will be sponsoring a Solemn Requiem Mass on the occasion of the second anniversary of the death of Msgr Ignacio Barreiro, who died on April 13, 2017. The Mass will be celebrated in the church of the Holy Family, 315 E 47th St, New York, NY. Fr. Richard Cipolla will be the celebrant. The music will include works by Morales and Victoria; Charles Weaver will direct. Msgr Barreiro’s own generous gift makes this liturgy possible.

I hope to be able to greet there many of us who knew Msgr Barreiro well.

It is entirely appropriate that this Mass takes place at Holy Family church. For Msgr Barreiro spent one summer at this parish during his studies at Dunwoodie seminary prior to his ordination. And, earlier, when he was serving in the Uruguayan delegation to the United Nations, had he perhaps visited the nearby “Church of the United Nations?” Finally, the architecture of Holy Family represents the first, if timid, breakthrough of modernism in the design of a New York Catholic parish church. Is it not fitting then, that we will gather in this place to pray for the soul of such a tireless champion of the recovery the Traditional liturgy as was Msgr. Barreiro? I am sure he would be amused!

Msgr Barreiro in congenial company near Siena in 2006.
Msgr Barreiro in the Rome offices of Human Life International, which he directed for many years.
Msgr Barreiro was always a steadfast advocate of the Traditional liturgy. (Above) Msgr Barreiro (left) at special vespers with the Archbishop of Siena in 2006.
(Above) In 1989 Msgr Barreiro celebrated at the Princeton University Chapel what was – perhaps incorrectly – reported as the first “official” Traditional Nuptial Mass in the United States since the 1960’s.
(Above and Below) In the last year of his life Msgr Barreiro served as parochial vicar at St. Mary’s, Norwalk .
Published in Masses | no comment

21

Apr

The Easter Vigil at St. Mary’s, Part II: The Christening, The Confirmations, The Mass of Easter

Posted by  

Continued from Part I


Once inside the baptistery, the celebrant prays over the font, that the Lord will deign to remake those about to die to their old selves in its waters into His spiritual sons and daughters by the grace of His Spirit. The celebrant breathes on the water three times in the shape of a cross
The celebrant plunges the Paschal Candle into the water thrice.
The acolyte removes some of the baptismal water for the aspersory: the celebrant sparges himself and his ministers with the Easter Water. He circles the church to sprinkle the faithful with Easter Water.
The celebrant changes into white vestments.

The celebrant pours the Oil of Catechumens and the Oil of Sacred Chrism into the baptismal water. The consecrated baptismal water will be retained in the font for the baptisms throughout the year.
The catechumen is baptized.
The newly baptized receives his white garment—a symbol of his baptismal innocence—and his baptismal candle, lit from the Paschal candle. It symbolizes the new light of grace which he received.
The procession returns to the sanctuary.
The Confirmation candidates kneel.

The celebrant anoints each by name on the brow with the Chrism consecrated by the bishop on Spy Wednesday.  He strikes the cheek of each, a sign of the hardships and mockery each will endure as a Christian.
The sacred ministers divest and prostrate themselves at the foot of the altar. After a time, they retreat to the sacristy to change into festive vesture. The Litany of the Saints is chanted by cantors. On this night, the entire invocation is repeated after the cantors, not only the response.
The acolytes prepare the altar for the festive Mass of Easter.
Toward the end of the Litany, the celebrant and ministers return.  The Mass of the Easter Vigil, due to its extreme antiquity, has no Introit, but instead the Litany is concluded with the solemn recitation of the Kyrie.
The celebrant intones the Gloria.  The church bells are sounded throughout, the first time they have been heard since Maundy Thursday, and the images of the church are uncovered.
Acolytes assist in lighting the candles of the faithful from the fire of the Paschal Candle.
The Canon of the Mass.
This year, children of the parish received their First Communion at the Easter Vigil
After Communion, Vespers immediately follows. During the Magnificat the celebrant censes the altar and he, his ministers, the clergy and the faithful are censed as well.
Published in Masses, Photos, St. Mary's Holy Week 2019 | 3 comments

21

Apr

The Easter Vigil at St. Mary’s: Part I: The Blessing of the Easter Fire, Procession and Twelve Prophecies

Posted by  

The Easter Vigil at St. Mary’s Church, Norwalk, CT, Part I. (Descriptions courtesy of John Pia)




The celebrant and ministers—vested in penitential violet, the celebrant in cope, the ministers in folded chasubles—approach to sanctify the new fire, in anticipation of the light of Easter Day.


The celebrant blesses five grains of incense. These represent the five wounds of Christ and the scented unguents used to prepare His body for burial.
The fire and grains are sprinkled with holy water and incensed.
A taper is lit from the new fire.
The deacon changes his penitental folded chasuble into the white dalmatic of joy.
A procession is formed.

The deacon takes up the triple-branched reed, whose staff represents the bronze serpent which Moses fashioned on a rod to heal the Israelites in the desert, and whose three candles mystically symbolize the three days in the tomb, as well as the three Marys approaching the tomb on Easter morn.  A procession is formed; the faithful follow the clergy into the church.
Three times along the way the procession stops, and one of the three candles in lighted with the taper lit from the new fire: at each lighting the faithful should genuflect, save the subdeacon who bears the cross.  The deacon sings “The light of Christ” each time on a higher pitch, to which the people respond “Thanks be to God”.
When the sacred ministers reach the sanctuary, the deacon hands the reed over, and seeks a blessing from the celebrant.
The deacon proceeds to consecrate the unlit Paschal candle by the great Easter proclamation, the ancient “Exsultet.”  The deacon and his retinue face towards the North: towards those dark regions that do not yet know the Light of Christ.
The deacon lights the Paschal Candle with the flame taken from the reed, which itself was lighted from the new fire.
The dedication candles and the lamps of the church are now lighted from the Paschal Candle.
Candidates for First Communion, wearing white, and Confirmation. This year over 70 received the sacrament of Confirmation at the Vigil.
The Prophecies:  The Twelve Prophecies of the Vigil are among the oldest cycle of readings known in the Roman Rite, prefiguring our salvation and recounting the duties, trials, and hardships of the Christian, they form the final catechesis for the elect who are to be baptized.  They are sung by a series of lectors to their own tone.

A procession is formed to the baptistery, led by the Paschal Candle. Please continue to Part II.

Published in Masses, Photos, St. Mary's Holy Week 2019 | 1 comment

20

Apr

Good Friday at St. Mary’s Norwalk, Part III: The Burial of the Body of Christ and Compline

Posted by  
The bearers of the image of the Dead Christ and women mourners.
The choir chants the psalms of the office of Compline
The priest washes and anoints the wounds of Cristo Muerte
The mourning women process with flowers two-by-two to the image of the Dead Christ.
In conclusion Allegri’s Miserere was sung.
Published in Masses, Photos, St. Mary's Holy Week 2019 | no comment
« Previous Page — Next Page »